Eclipse

The Best of Pink Floyd

A stadium concert jammed into an intimate venue — mind-blowing musicianship, audio, video and lighting artistry, and giant puppetry.

Wisconsin Eleven-piece band with a puppetmaster Produced by Artists Alive, Inc.
11Musicians & vocalists
on stage
18Travelling party
11 band, 7 crew
2Full productions
in repertoire
501(c)(3)Proceeds fund children's
music education

The Show

Eclipse is an eleven-piece band with a puppetmaster, built around one thing: playing Pink Floyd the way Pink Floyd played it while recreating the exact experience of a Pink Floyd concert for the audience.

Eclipse doesn't cover the songs — they recreate them exactly, note for note, in painstaking detail, because the Floyd audience knows the difference. Three guitarists, two keyboardists, three female vocalists, a saxophonist, a bassist and a drummer, all virtuosos in their own right: the personnel a Floyd catalog actually requires. Money, Time, Us and Them, Dogs of War, Learning to Fly, Another Brick in the Wall: the songs arrive at full width, with the harmony stacks, the sax solos and the sound design intact.

Two large puppets work the room alongside the band, one of them a giant inflatable pig flown out over the audience by a master puppeteer — staged in the house, not on the deck, so it plays to the whole room.

Eclipse is produced by Artists Alive, Inc., a 501(c)(3) nonprofit founded by artists for the benefit of children's music, visual and dramatic arts. Proceeds from every date go back into children's music education — a line worth putting in your program.

This group truly lives and breathes Floyd — and rock and roll as a whole. Pink Floyd's music is recreated with remarkable passion and meticulous attention to detail. Beyond the music, these exceptional musicians and crew make you feel like part of the family by night's end. Their kindness and professionalism genuinely set them apart. Dillon McArdle — Director, Viterbo University Fine Arts Center

Live

Ellie Mittlesteadt playing harp centre stage, the drum riser behind her
A giant inflatable pig flown out over the balcony above the audience
The three vocalists on risers beside a guitarist in blue light
Saxophone solo under violet light
The circle truss lit above the drum riser, projection filling its face
A packed house watching from the seats

Photographs by Timothy Mather  ·  High-resolution stills on request — info@artistsalive.org

Two Productions

Book the greatest hits, or the album front to back.

Greatest hits

Eclipse: The Best of Pink Floyd

The touring show, and the one most talent buyers want. Fifty years of Floyd across a single eveningMoney, Time, Us and Them, Wish You Were Here, Dogs of War, Learning to Fly — carried by the full ensemble with live lighting design throughout.

Full album, front to back

The Dark Side of the Moon

Two sets. Greatest hits first, then The Dark Side of the Moon complete and in sequence — tape loops, heartbeat and vocal ad libs rebuilt for the stage. Staged for the album's 50th anniversary and held in repertoire since.

Repertoire — Selected

The Dark Side of the Moon album performed complete · Set lengths built to your slot

The Ensemble

Eleven on stage, plus the puppetmaster.

Chris MittlesteadtBandleader · Guitar
Bill MaroseLead vocals · Guitar
Nick WinklerGuitar
Mark EricksonBass
Paul IssacsKeyboards
Todd PhippsOrgan & keyboards
Al ButtnerDrums
Bryan HuskSaxophone
Sonja FjoseVocals
Ellie MittlesteadtVocals & harp
Linda BakerVocals
Anne HorjusPuppetmaster

Recent Stages

Rooms Eclipse has filled.

Marcus Performing Arts CenterUihlein Hall · Milwaukee, WI
Orpheum TheaterMadison, WI
Pablo Center at the ConfluenceRCU Theatre · Eau Claire, WI
Viterbo University Fine Arts CenterLa Crosse, WI
Al. Ringling TheatreBaraboo, WI
CAL CenterReedsburg, WI
Schauer Arts CenterRuth A. Knoll Theater · Hartford, WI

Watch

Ninety seconds, then six songs.

Official Eclipse promo reel 1:45 · Start here

What Presenters Say

This was my third time working with Eclipse, and they continue to deliver every single time. If you're looking to bring in a high-energy, top tier show that truly captures the audience, look no further. They are a total pleasure to work with from a production standpoint, and our crowd was blown away — we even had many patrons tell us they were far and away the best Pink Floyd tribute they've ever seen. The production level is extremely high and they are a must-book for any theater looking to pack the house with a professional, high-impact performance. John Hassig — Director, Schauer Center

From the House

Seen the real Floyd twice and Brit Floyd a few times… you guys are right up there with them. Audience review

Note-for-note perfection!Audience review

Absolutely stellar performance!Audience review

Excellent show, so much talent!Audience review

Fourth time seeing you guys…Returning patron

Production & Logistics

What Eclipse needs from your stage.

Travelling party
18 total — 11 band, 7 crew. Advance handled directly with the tour manager.
Stage minimum
42′ wide × 30′ deep × 5′ high, plus a 12′ × 20′ work area in each wing.
Height
25′ clear above the deck to fly the circle truss. Truss trim set 20′–24′.
Eclipse carries
The full lighting package and console, the circle truss, backline, the IEM monitor rig, FOH and monitor consoles, and every microphone, stand, DI and cable on the stage.
Audio
We need stacks and racks — 105 dB SPL ±6 dB, 40 Hz–16 kHz across the seats. Where an appropriate loudspeaker rig isn't available, Eclipse can provide full audio production.
Venue provides
Three 40′ trusses with rigging, two followspots with operators, a lighting director and house audio tech, two stagehands and a house electrician.
Power
100 A / 120 V per leg, three-phase for lighting — Eclipse carries its own 100 A distro and 50′ feeders. Plus three 30 A services on stage.
Front of house
A 24′ × 12′ console position at house center, roughly 75′ from the stage. Risers if sightlines need them.
The pig
Inflated and flown in the house, not on stage. We work out the position and upper-level sightlines with you before tickets go on sale.
Outdoors
Full seamless stage cover at 25′ over stage, wings and work areas, plus a covered console position.
Set format
Built to your slot — a single festival set, or a two-set evening with intermission. The Dark Side of the Moon booking is greatest hits, then the album complete.
Terms
Guarantee or box-office split, quoted by production, date and room.
Full rider
Technical rider, stage plot, input list and lighting plot available on request.

Booking

Tell us your date and your stage.

info@artistsalive.org